POETRY, Syllable Tapestries

A person to cook rice

Just cooked  dinner:

some veggies,

and a seared Red Snapper.

What would I call it?

I don’t know,

it’s ad lib cooking;

let’s see what’s in the fridge cooking;

albeit,

as I put it on my plate,

I think, man, I need some rice.

But it’s too late.

I need someone to cook the rice.

When I cook family meal at work,

one of other cooks asks “what can I do to help?”

I reply. “Cook some rice.”

I almost don’t remember how to cook rice.

It’s been so long.

I’ve got rice here. I just don’t cook it.

Maybe, I need to put an add in the newspaper,

or on Craigslist or some message board on the internet.

“Help wanted.

a person to cook rice

stay around and talk awhile

and eat dinner with me.”

POETRY, Syllable Tapestries

Fact, Truth, and Faith.

Fact, Truth, and Faith.
1
Fact.
It’s a word my father loved so much.
Facts are those things which happen,
or just are.
[dic. Meaning]
examples, you ask.
Well, let me see.
I’m a man, or I’m a hybrid native american
Or I went to college, or I lived on the tar river.
Or I’m a chef, or I’m a painter, or I’m a poet, etc., etc.
These are things which are a part of me,
and that I can not change.
I can choose not to practice them anymore
But I can not change the fact that I am these things.
They are my history,
my building blocks which make me what I am,
and brings me to the truths.
2
Truths.
This is a word that can end friendships, loves,
Or even send you to jail for five years,
maybe even life.
History can not be written without truths,
Albeit, truths are strange creatures;
Because everybody has their own.
Truths are perspectives of the facts.
and sometimes when someone talks of facts,
it’s their angle in which they saw the fact,
that they are telling you about.
Fact: there is a tree standing in the yard.
How we perceive that tree is the truth.
When I see a tree, I see a living creature, a friend,
Whom I can go and sit down under and write,
Or talk to, or just sleep under or in;
However, another man could gaze upon that same very tree
And see wood to build a house, or pulp to make a box or paper,
Or a bird sees it as a house, etc., etc.
Faith.
Such a complicated word, yet so simple.
One must have faith,
or not.
With faith
you may just see
the many truths around the facts.

2017, POETRY, Syllable Tapestries

ticking of the clock

There’s silence
except for the ticking of the clock.
can you hear it.
the weight of it.
yes the weight of it;
simply put;
the heart’s hiding a tick here
and another one there.
And you wonder
where those seconds went

I remember the days
when there were hands on the clocks,
and I could sit there
watching those shaky hands
slowly tick around the face.

as often as you gaze through me.
I can only ask from you
is the truth.
and the time.
confused and stumbling
down the sidewalk,
just knowing
there’s no way
I’ll ever get
to the end of this street
without falling on my face,
with those hands
ticking
around
telling me it’s time.

A Mythological Autobiography of a Wolf, POETRY

Sarge

The first few weeks were hard,
adjusting to the way of life.
I must’ve wanted to quit a hundred times,
my hand taking apron off
and my feet marching
the rest of my body to the back door.
Every time,
there stood a mountain of a man
between me and the door,
always saying the same thing.
“Are you deserting, private?
Going back into the jungle?’
He’d open the door.
“Just hope you weren’t thinking of leaving without saying good-bye.”
Each time I’d stop;
turning around,
tying my apron back on.
“Just goin’ to have a smoke, sir,
guess now’s not the time”
and quickly returning to dish.
The work was hard and consuming.
I wasn’t used to such hours
and continuous labor.
My hands and arms told the story.
War tattoos telling of my exploits in battle,
as the sue chef would tell me
when he drove me to the park
I slept in at nights.
My mother would’ve told me
they were just scars
showing my carelessness;
however, my mother wasn’t here.
There was only this mountain of a man,
who, in the kitchen everyone called Sarge
He rattled on insanely
about Charlie, napalm, and ‘Nam ,
everything
my father would chatter about
in his drunken stupor.
Each time Sarge dropped me off,
he remarked.
“I’ve an extra room. No charge.
Hell, you could take a shower by yourself.
What a concept.”
Each time I declined,
opened the door, got out of the car,
waited for him to drive off,
than sauntered into the bushes,
until I found my sleeping bag
and retreated into sleep.
I hated the city,
It bore down on me like a living beast;
it’s breath rotten and stagnant,
decomposing in it’s own fecal matter.
It’s roar’n’screams were relentless.
I don’t belong in the city;
I needed trees, mountains, and the stars
not telephone poles, street lights and high rises.
His offer was always tempting.
It was like a huntress
trying to coerce me into her arms,
“Be weary of a white-man’s gifts,”
my father once lectured me.
“It only means they’re after something.”
Each time
I escaped into sleep,
scared and dead quiet,
pleading with my father
wherever he might be,
this man was different,
this brother warrior,
he’d walked a different path than the others.
Albeit,
my father was not here to guide me;
he had chosen a road called whiskey
and left without me.
And my mother, neither was she here.
She, my loving mother,
who had broken the rules of being a society girl
by marring a red skin at her own advice,
certainly not her father’s.
As much as I’d hate to admit.
The man was right,
my father couldn’t conform
to the Euro/Roman way.
It didn’t mean he was uncivilized;
he was taught to live by different laws
and talks to god in different ways.
He attempted to defeat the dark side
by joining with it,
only to be succumbed by it,
making me an exile,
teacherless in a vile world.
I could never forgive him for that.
Everything I’ve learned
has been learned the hard way,
by my own mistakes, anguish,
bile and by all the books I’ve read.
So I allowed that mountain of a man,
called Sarge into my life,
he became my friend and teacher.
And father he helped me.

2018, A Mythological Autobiography of a Wolf, POETRY

a night at the opera

Sarge glances
through the glass
that lines the kitchen
people, waiting to be seated,
stare in;
as the kitchen
shows ’em controlled chaos.

Sarge spots her
In a black dress,
Cut low
Freckled cleavage
and then goes back to
making deserts.
he spins around
and takes some more orders
as the printer
prints ’em out.

as he goes about
building plates,
he starts to hum
and then a song comes out
from under this breath
as he puts the desserts
up in the window;
and begins the next order.

‘Hey, hey, hey, hey, hey.
lookin’ thro’ the window of my cage.
watching her with my gaze.
singin’
Hey, hey, hey, hey, hey.’

sarge spins around.
opens the cooler door
behind him,
and grabs a creme brulee. spins back around.
to the rhythm of the song in his head.

‘Hey, hey, hey, hey, hey.’

he puts some sugar on the top of it,
levels it out.
reaches out
and grabs the torch
lights it
and then flips it.
singing his little song.

‘Hey, hey, hey, hey, hey.
looking thro’ the window
kinda going crazy
thinking ’bout a lady.
singing
Hey, hey, hey, hey, hey.’

he drops the creme brulee on a plate
he has ready on the stainless steel shelf
drops a mandelen on the top
and spercels some powdered sugar over it.
and starts singing again.

‘Hey, hey, hey, hey, hey.’